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Get great colour in difficult lighting with the patent-pending ExpoDisc. Whether you’re shooting RAW or JPEG, simply read and set white balance with the ExpoDisc before shooting and you’ll reduce or eliminate the need for post-capture colour adjustments.
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Fine-tune your colour at point of capture with the Expodisk. Works in mixed or difficult lighting and replaces your grey and white cards, allowing you to spend more time shooting and less on workflow.
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The ExpoDisc White Balance Filter is far easier to use than any grey card, white card or calibration target. Simply place the ExpoDisc in front of your lens and capture the incident light while setting your camera’s custom white balance.
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The ExpoDisc 77mm warm balance disc uses a neutral diffusion filter to gather ambient light and passively transmit 18% of it into your camera's light meter, producing a grey frame.
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Fine-tune your colour at point of capture. The Expodisc works in mixed or difficult lighting and replaces your grey and white cards. Spend more time shooting and less on workflow: It's convenient, fast, easy-to-use, and comes with a protective case.
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The ColorRight Pro custom white balance tool allows you to set the most accurate and precise custom white balance for any lighting condition. Best of all, it takes just 15 seconds or less! With ColorRight you'll be able to shoot pictures with perfect colour
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Fine-tune your colour at point of capture with the ExpoDisc. It works perfectly in mixed or difficult lighting and replaces your grey and white cards.
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The JJC White Balance Lens Cap 77mm features a translucent white centre that can be used to set a manual white balance in tricky lighting conditions.
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The Seculine Vivicap is a new concept in lens caps that makes it simple and convenient to take a white balance reading. Put simply, Seculine have created a lens cap made from white balance filter material! This combination puts white balance measurement
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The ExpoDisc 72mm warm balance disc uses a neutral diffusion filter to gather ambient light and passively transmit 18% of it into your camera's light meter, producing a grey frame.
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